All Projects Submitted to the International Exhibition
27th Brno Biennial 2016

All projects submitted (in the form of a PDF presentation) to the International Exhibition of the 27th Brno Biennial 2016. Eight volumes structured alphabetically by country. The publications are conceived as a print-on-demand edition, each volume available to order individually.

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Volume 1: Argentina, Austria, Australia, Belgium, Bulgaria, Brazil, Belarus, Canada, Switzerland, Chile, China
Brno Biennial, 2016
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712 pages, 21 × 29.7 cm
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Volume 2: Costa Rica, Cyprus, Czech Republic
Brno Biennial, 2016
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638 pages, 21 × 29.7 cm
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Volume 3: Germany, Denmark, Algeria, Ecuador, Estonia, Spain, Finland
Brno Biennial, 2016
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608 pages, 21 × 29.7 cm
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Volume 4: France, United Kingdom, Greece, Hong Kong, Croatia, Hungary, Iran, Italy, Jordan
Brno Biennial, 2016
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608 pages, 21 × 29.7 cm
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Volume 5: Japan, Korea, Lebanon, Liechtenstein, Lithuania, Latvia, Montenegro, Macao, Mexico
Brno Biennial, 2016
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688 pages, 21 × 29.7 cm
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Volume 6: Netherlands, Norway, Poland, Portugal, Serbia, Russia, Sweden, Singapore, Slovenia
Brno Biennial, 2016
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714 pages, 21 × 29.7 cm
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Volume 7: Slovakia, Turkey, Taiwan, Ukraine
Brno Biennial, 2016
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570 pages, 21 × 29.7 cm
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Volume 8: United States
Brno Biennial, 2016
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334 pages, 21 × 29.7 cm
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COLOPHON

Compiled and designed by Radim Peško Radim Peško (1976) is a graphic designer based in London. He works in the field of type design, editorial and exhibition projects. In 2010 he has established his RP Digital Type Foundry that specializes on typefaces that are both formally and conceptually distinctive. His work includes identity for Secession Vienna, typefaces for identities of Boijmans Van Beuningen Museum in Rotterdam, Stedelijk Museum Amsterdam, Aspen Art Museum, Fridericianum, Berlin Biennale 8, various work for the Moravian Gallery in Brno, Bedford Press London or a long-term collaboration with artist Kateřina Šedá. He has lectured at many schools including Gerrit Rietveld Academie Amsterdam, ÉCAL Lausanne, HFK Bremen, KISD Cologne, École nationale supérieure des beaux-arts de Lyon, Sint-Lucas Ghent, University of Seoul. Since 2011 he is part of the curatorial board of the International Biennial of Graphic Design Brno., Tomáš Celizna Tomáš Celizna (1977) is interested in graphic design in connection with new technologies. He is a founding partner of design studio dgú in Prague (2001 to 2005), recipient of J. W. Fulbright Scholarship (2006), and holds MFA in graphic design from Yale University School of Art (2008). He currently lives and works independently in Amsterdam. Collaborations include, among others, OASE Journal for Architecture, Royal Academy of Art, The Hague, Sandberg Instituut, Amsterdam and Museum of Contemporary Art Chicago. Since 2011 he is a lecturer in graphic design at the Gerrit Rietveld Academie in Amsterdam, and a member of the curatorial team of the International Biennial of Graphic Design Brno., Adam Macháček Adam Macháček (1980) is a graphic designer. Following studies at the AAAD in Prague, Gerrit Rietveld Academie in Amsterdam and ÉCAL in Lausanne, he co-founded in 2004 studio Welcometo.as in Lausanne and is a member of 201∞ Designers collective. His work includes publications, exhibition catalogues, illustrations and identities. Collaborations include, among others, the Moravian Gallery in Brno, Théâtre de Vevey (seasons 2003–2012), Galerie Rudolfinum, San Francisco Museum of Modern Art, Chronicle Books, Editions Pyramyd, Museum of Czech Literature, Brno House of Arts, California College of the Arts, Airbnb. For Brno Biennial he initiated and organized exhibitions Work from Switzerland (2004) and From Mars (2006, together with Radim Peško). Since 2011 he is a member of the curatorial team of the International Biennial of Graphic Design in Brno. He lives and works in Berkeley.
Brno Biennial 2016
print-on-demand paperback
8 volumes, each 21 × 29.7 cm
Order at Lulu.com